Showing posts with label Insurgent. Show all posts
Showing posts with label Insurgent. Show all posts

Monday, August 29, 2016

INSURGENT // Discussion

Note: Please be advised, there will be DIVERGENT and INSURGENT spoilers. SPOILERS, I TELL YOU. If you missed my spoilery DIVERGENT discussion two weeks ago, you can find that here. Also, if you haven’t entered my blogversary giveaway, you should probably do that. (Or you could procrastinate like I do, since you have until the end of September. Don’t worry, I’ll keep reminding you—unless I forget.) 


Rating: Four Stars—Great 

Here’s the thing. I’ve read and watched a lot of reviews claiming INSURGENT is better than DIVERGENT, and I’ve always felt vaguely confused by this. Perhaps it’s just a matter of personal taste. I’m not sure. What I do know is that giving INSURGENT four stars feels generous, since I don’t feel the story warrants more than three. However, I get super nostalgic about the whole trilogy, which is why I'm giving it an additional star. Because that's how I roll. 

Let’s start out by talking about a few of the things I liked. 

—In INSURGENT we get to learn more about the different factions. We get to see a few more sides to Erudite, for instance, in the way Cara and her friends develop technology for the Amity to be able to defend themselves without killing anyone. I like that we get to see how Amity favors peace over justice, to its detriment, while those in Candor settle for being honest instead of making sure they are also doing the right thing. 

—In DIVERGENT, we were introduced to the idea of the factionless, which was cool, and in INSURGENT we get to know this large people group a lot better. We get to see how the faction system has effected them and how they feel about that system. All good stuff. 

—We get to learn more about Four’s backstory. In DIVERGENT we had the intriguing, mysterious Four, and in INSURGENT we get to see some of the environmental aspects that shaped him into the person he is now. I wasn’t as huge a fan of Four in this book as I was in DIVERGENT, but what we do learn about his past compliments DIVERGENT Four quite nicely. 

—I found the various reactions to the concept of Divergence satisfying, especially Lynn’s theory that the whole thing is a hoax. People don’t always like stuff they don’t understand, so it makes sense that some, like Lynn, would tailor their views of the world to make themselves feel safe. 

—Peter. I love Peter. Not in an I-would-like-to-snog-him way. More like an well-isn’t-that-an-interesting-bug sort of way. (It’s still love though—don’t laugh.) I like that we get to explore more of his driving motivations and the way his psyche is structured. I also like that even when he does something good (like saving Tris), it’s for selfish reasons. 

—I like that there’s no Tris-centered love triangle. 

—I love that Tris gets a chance to tell Will she’s sorry for killing him, even though it’s just in a simulation. 

—I like that Caleb betrays Tris and that this allows us to understand him better. 

—Although there are some definite weaknesses in the world building, I even like some of the ideas behind the formation of the faction system. But I’ll discuss that more in my ALLEGIANT discussion. 


Unfortunately, I have some issues with INSURGENT. 


—There are several internal consistency errors (which Veronica talks about in this post). For instance, on page 77 of the hardcover edition, Tris is unarmed, although she is carrying a gun in the previous and ensuing scenes. On page 134 Tris says the Dauntless don’t bother with antiseptic wipes before shots, which contradicts the time in DIVERGENT when Eric uses one on Tris. There are a few others, but I don’t think I need to list them all to make my point, which is: 

—I don’t think Veronica was given enough time to edit this book thoroughly. I think she would have benefited from setting the story down between drafts and taking large enough breaks (I'm thinking in terms of a month or two) to be able to see the writing with fresh eyes the next time she picked it up. This would potentially have helped with the internal inconsistency. Also, there were ways in which the writing overall could have been smoothed out and tightened a bit more. 

—Too. Much. Passive. Tense. I understand that passive tense can be useful at times. But there were so many sentences that could have been phrased differently to make the story feel more active. Honestly, I don't know if this is a purposeful stylistic thing or if it's just one of Veronica's weak spots. Either way, it bugs me. 

—Overall, the story has less meat. In DIVERGENT, we have a lot of layers. We have Tris struggling with her decision to choose Dauntless. We have Tris making friends and enemies. We have Tris learning how to fight and defend herself. We have Tris’ whole friendship-turned-enemyship (totally a word) with Al and her regret when he kills himself. We have the mystery of what it means to be Divergent, and we have the fear that someone in Dauntless will find her out and kill her. We have the whole issue with the simulation serums. We have Four and Eric's rivalry going on. We have Tris finding out more about her parents. And we have Tris' budding relationship with Four, among other things. 

But in INSURGENT, we have fewer layers. We have Tris’ continued relationship with Tobias/Four. We have Tris’ desire to figure out what caused the Abnegation slaughter. We have continued hostilities among the factions. We have Jeanine being Jeanine. We have Tris finding out a bit more about herself, her parents, and Four. We have the side love triangle. And that’s about it. Though the story takes a bit longer to tell, it feels watered down, more filled with repetitive introspection and less with fresh, new story. Yes, I understand that this is a sequel, so there are going to be ways in which the story doesn’t feel new in the same way that DIVERGENT felt new. But, in my opinion, it ended up more like a mush middle and less like it’s own entity. 

—Tris and Four’s relationship isn't nearly as much fun to read about in INSURGENT as it is in DIVERGENT. In many ways, it seems toxic. They’re too touchy-feely yet simultaneously hostile to each other. And if you think about it, they’re still essentially strangers. While they have been through a lot together, and while they know each other’s fears and such, this has all happened in a relatively short period of time, and they haven’t had much of a chance to get to know each other beyond the trainer/trainee relationship. In the end, I felt uncomfortable with their romance on several levels. 

—Okay, first of all, I have PTSD, so I know what it’s like. I’m not saying that it’s the same for everyone, or that my experiences are the end-all-be-all of what it means to have PTSD. So please, take what I say with a grain of salt. That being said, I think the portrayal of Tris’ PTSD falls flat. Her inability to hold a gun after killing Will feels overdone and not fully explained. Maybe if it were fleshed out a little more I would be able to understand but, even so, that’s not how PTSD works. 

After all that she’s been through, as callous as it sounds, killing her best friend is going to be small potatoes in comparison with the others stuff her brain is processing. She was almost drowned—why isn’t she nervous when washing herself? She was in an all out slaughter—why doesn’t she have to struggle every single time she goes into a crowd? She was beaten up by her simulation-controlled boyfriend—why doesn’t she experience a couple moments of fear in relation to him? I know that she does have some flashbacks, and I appreciate that. I understand her guilt at killing Will, I do. But I don’t like that that’s the reason given for why she gets anxiety every time she tries to pick up a gun, and I don’t like that her inability to pick up guns is the strongest sign of her PTSD. It would make more sense if this were stemming from all the bad memories of all the people shooting at her and getting shot around her, not just the one case that has more to do with regret than fear. 

(And yes, I realize that sometimes the mind goes for the smallest, most quantifiable element in situations like this, but I’m not sure it does to this degree.) 

—I also think her experience with grief is not as realistic as it could have been. To help you understand what I’m saying, think about grief as similar to getting hit by a truck. You feel the initial strike, and you get knocked off your feet. You know that something horrible has happened, even if you haven’t quite pieced together what that is. This is why people often cry when bad news is broken to them. It’s stressful and confusing, and the brain just doesn’t know how to compute. It realizes it’s going to be in a lot of pain, and it gets upset. Crying is a way of dealing with this. 

Then, after getting hit by said truck, and after skidding down the road a ways, or whatever, there’s a brief window in which you don’t really feel anything. This is denial. You’re like, “Oh wait, no, this is fine. I’m good. I can walk this off, because I was not just hit by a truck. Surely you jest.” Then the anger hits. “Dang, that driver should have been watching where he was going. I feel really upset right now. If I could move, I would punch that idiot in the face.” (But you shouldn't do that, because an open hand strike to the nose or a backhand to the temple are both more effective and less needlessly hard on your knuckles.)

Then you think, "Please don't let this be as bad as I think it's going to be. It feels like there are pieces of me all over the place, but maybe if I promise to stop cheating on my taxes, whatever higher power there is will let me get away with a few bruises." After that, the pain hits, and it hits hard, like you’ve just been hit by a truck all over again, only significantly worse. Naturally, this is depressing, and it also happens to be the longest stage (usually). It takes quite a while to recover, both from grief and from getting hit by a truck. But generally, after time has passed, you begin to realize you are going to be okay. This is acceptance. You got hit by a truck, but these things happen, and you are ready to move on. 

I realize this is a somewhat flawed comparison, because some of these reactions happen in a matter of seconds after getting hit by a truck. So maybe it’s more accurate to say that grief is like getting hit by a truck in super, duper, uber slow motion. That’s why I think Tris’ experience doesn’t feel organic. She skips right to the stage where the pain hits, and that doesn’t feel true to her character. I’m not saying people don’t skip stages. But Tris seems like the type to respond to distressing situations with anger, as she does when Molly and Peter and Drew shame her by stealing her towel. And I think it would have made more sense to see Tris raging through the first two thirds of INSURGENT before having a meltdown in the last third. 

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In conclusion, my relationship with INSURGENT is weird. When I first read it, I loved it, but then I reread it and found it wasn’t as good as I had remembered. (This would be my second reread.) I don’t hate it, and I will probably reread it every now and then over the next forty-or-so-years, or however long I live. Even with its flaws, I appreciate its potential, and I like seeing Veronica’s fingerprints on the story, because I really like Veronica as a person. If you haven’t read her old blog (which she doesn’t update anymore), you really should. Soon I plan to write a post highlighting how great a blogger she is/was (she does still use Tumblr, but it’s not the same). 

Anyway, I don’t want to keep rambling on and on. This post is already long enough as it is, so I will just leave you with my review schedule for the next two weeks, and I will see you Wednesday: 

Monday, September 5th: ZENITH review

Monday, September 12th: ALLEGIANT discussion


Oh, and before I forget: You may recall how I complained a while back about how ugly the DELIRIUM trilogy covers are. Well, wait for it...

They were redesigned! So now I can buy them without feeling the need to claw out my eyes. 


That’s it for today, my little coffee beans? What are your thoughts on INSURGENT? Did you think it was better, worse than, or equal to DIVERGENT? Do you like the new DELIRIUM covers? 

Monday, March 28, 2016

Bookish Discussion #3 // Cover Love


Last week, I spent a couple days discussing bookish aesthetics and why I don’t think it’s okay to judge people who are concerned with the way their books look. (You can find the links here and here.) But today, I’d like to talk a bit more about the importance of nice book covers. 

Let’s say you’re in a well-stocked bookstore, and you’re just browsing, hoping something wonderful will catch your eye. It stands to reason that it’s in the publisher’s best interest to provide books that do just that. Granted, an ugly book could be a thousand times deeper and more interesting than the gorgeous hardcover displayed next to it. But let’s face it, there are so many books out there, and you’re not going to be able to read them all (GASP). Which is why it’s nice to have a system that helps you choose which books are worth your time. 

So, without any further ado, let’s talk about some book covers and designs that do their jobs well. 




ILLUMINAE is a prime example, not only because the cover is gorgeous, but because the insides are gorgeous as well. Just by flipping through a couple pages, you can tell the book took a great deal of time and effort to design. Of course, the insides could still be rubbish, and you wouldn't know that until you read it, but hopefully the design conveys that the publishers at least thought the story was something special. Had it looked like it had been thrown together at the last minute, you might come away feeling uneasy, and perhaps you’d be a little slower to buy it. As I've said before, a publisher that doesn’t seem to care about the outward product might also not care too much about the story itself. Hopefully you would love it anyway, regardless of its exterior, but you have to want to pick it up first. 




I do intend to discuss the whole DIVERGENT trilogy at a later date, maybe in a month or two. For now, I just want to say that I vastly enjoyed INSURGENT the first time I read it, but found myself a little disappointed when I reread it. Even so, every time I see it on my shelves (which is every day), I get the urge to reread it because the cover is insanely beautiful and atmospheric. True, the cover doesn’t make the story any better. But it does improve my reading experience, and it ensures that I will give the book at least a third, or fourth, or fifth chance (I reread a lot). 




Covers are always a matter of personal taste. What looks wonderful to me might not look so great to you, and vice versa. Some people love covers that feature girls in dresses, for instance, but as a general rule, I’m not a huge fan of that design format. To me—and this is just my opinion, so take it or leave it—those sorts of covers don’t convey much about the story they’re representing. In fact, they seem like the easy way out, like the cover artists didn’t have enough time, ideas, or money. Or maybe they just didn’t care enough. Either way, it looks like they chose something easy and generic—attractive, usually, but not special. However, ANNA DRESSED IN BLOOD is a notable exception. 

Because Anna’s outfit plays such a huge role in the story (in case you hadn’t gathered that from the title), the dress is relevant to the plot. But there is also detail beyond just the girl and the dress, and that helps set the mood even further. For instance, we have the blood dripping off the hem of the dress and down her legs, and we have the whole vintage feel going on. We can see a thick ground fog in the foreground, and a haunted-looking house in the background. Bits of torn red ribbon (at least, I think it's ribbon) provide accent and visual interest. Even Anna’s posture communicates a great deal. Added together, all these elements set the tone of the story. We know we’re going to be reading something creepy, dark, and atmospheric, but also a touch whimsical, romantic, and sad. Ultimately, the cover is one of the reasons why I bumped ANNA DRESSED IN BLOOD up on my book-buying priority list. 



Yes, book covers aren’t necessarily indicative of the story’s worth or the author’s skill, and it’s possible that focusing too much on lovely book covers can lead you to miss out on some wonderful literary gems. But with so many stories to read, and so little money to spend on them, I prefer to library the ugly books and buy only the books with covers that delight my heart. And that brings me to my next discussion topic, library vs. ownership, which I’ll be discussing on Wednesday. 

In the meantime, here are some random book covers for you to analyze (if you’d like to). I’d love to know what you think of them, what emotions/thoughts you think they convey, and whether they would have any impact on your book buying decisions. 


  
  


Well, that’s it for today, little coffee beans. What are some book covers that make you go all grabbyhands? What are some book covers that do the opposite? How do you decide which books to buy and which books to borrow? What are some of your favorite book covers, and why?