Bookish Discussion #3 // Cover Love

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Last week, I spent a couple days discussing bookish aesthetics and why I don’t think it’s okay to judge people who are concerned with the way their books look. (You can find the links here and here.) But today, I’d like to talk a bit more about the importance of nice book covers. 

Let’s say you’re in a well-stocked bookstore, and you’re just browsing, hoping something wonderful will catch your eye. It stands to reason that it’s in the publisher’s best interest to provide books that do just that. Granted, an ugly book could be a thousand times deeper and more interesting than the gorgeous hardcover displayed next to it. But let’s face it, there are so many books out there, and you’re not going to be able to read them all (GASP). Which is why it’s nice to have a system that helps you choose which books are worth your time. 

So, without any further ado, let’s talk about some book covers and designs that do their jobs well. 

ILLUMINAE

ILLUMINAE is a prime example, not only because the cover is gorgeous, but because the insides are gorgeous as well. Just by flipping through a couple pages, you can tell the book took a great deal of time and effort to design. Of course, the insides could still be rubbish, and you wouldn't know that until you read it, but hopefully the design conveys that the publishers at least thought the story was something special. Had it looked like it had been thrown together at the last minute, you might come away feeling uneasy, and perhaps you’d be a little slower to buy it. As I've said before, a publisher that doesn’t seem to care about the outward product might also not care too much about the story itself. Hopefully you would love it anyway, regardless of its exterior, but you have to want to pick it up first. 

INSURGENT

I do intend to discuss the whole DIVERGENT trilogy at a later date, maybe in a month or two. For now, I just want to say that I vastly enjoyed INSURGENT the first time I read it, but found myself a little disappointed when I reread it. Even so, every time I see it on my shelves (which is every day), I get the urge to reread it because the cover is insanely beautiful and atmospheric. True, the cover doesn’t make the story any better. But it does improve my reading experience, and it ensures that I will give the book at least a third, or fourth, or fifth chance (I reread a lot). 

ANNA DRESSED IN BLOOD

Covers are always a matter of personal taste. What looks wonderful to me might not look so great to you, and vice versa. Some people love covers that feature girls in dresses, for instance, but as a general rule, I’m not a huge fan of that design format. To me—and this is just my opinion, so take it or leave it—those sorts of covers don’t convey much about the story they’re representing. In fact, they seem like the easy way out, like the cover artists didn’t have enough time, ideas, or money. Or maybe they just didn’t care enough. Either way, it looks like they chose something easy and generic—attractive, usually, but not special. However, ANNA DRESSED IN BLOOD is a notable exception. 

Because Anna’s outfit plays such a huge role in the story (in case you hadn’t gathered that from the title), the dress is relevant to the plot. But there is also detail beyond just the girl and the dress, and that helps set the mood even further. For instance, we have the blood dripping off the hem of the dress and down her legs, and we have the whole vintage feel going on. We can see a thick ground fog in the foreground, and a haunted-looking house in the background. Bits of torn red ribbon (at least, I think it's ribbon) provide accent and visual interest. Even Anna’s posture communicates a great deal. Added together, all these elements set the tone of the story. We know we’re going to be reading something creepy, dark, and atmospheric, but also a touch whimsical, romantic, and sad. Ultimately, the cover is one of the reasons why I bumped ANNA DRESSED IN BLOOD up on my book-buying priority list. 

Yes, book covers aren’t necessarily indicative of the story’s worth or the author’s skill, and it’s possible that focusing too much on lovely book covers can lead you to miss out on some wonderful literary gems. But with so many stories to read, and so little money to spend on them, I prefer to library the ugly books and buy only the books with covers that delight my heart. And that brings me to my next discussion topic, library vs. ownership, which I’ll be discussing on Wednesday. 

In the meantime, here are some random book covers for you to analyze (if you’d like to). I’d love to know what you think of them, what emotions/thoughts you think they convey, and whether they would have any impact on your book buying decisions. 

  

  

Well, that’s it for today, little coffee beans. What are some book covers that make you go all grabbyhands? What are some book covers that do the opposite? How do you decide which books to buy and which books to borrow? What are some of your favorite book covers, and why?